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David Schlosser, creative advisor at the Art Photography Academy

Creative Advisor

David Schlosser

Essex Fells, United States

David Schlosser's work is guided by a deep belief in personal expression over convention, drawn to the fleeting moments and feelings that carry genuine emotional weight and resist easy explanation. His photography is bold, experimental and strongly narrative, moving fluidly between fine art, mixed media and street-influenced imagery to create work that is layered, psychologically charged and visually striking. There is a consistent fascination with identity, memory and the pressures of modern life running through his images, whether he is working with fragmented portraiture, urban texture or the quiet tension between light and darkness. At its heart, his practice is about finding honesty and connection in the everyday, and sharing that through a visual language that is unmistakably his own.

Fine Art PhotographyMixed Media & ExperimentalLandscape & NatureAbstract

Showcase

Seven pieces, and what is behind them

Click on the artwork to see it larger, and read David’s own description of each piece.

Yellow Tree, a work by David Schlosser

Work 01

Yellow Tree

The yellow tree serves as a stubborn anchor of warmth and life against a turbulent, fractured backdrop. The textured overlay evokes a sense of isolation and emotional distance, transforming a literal landscape into an internal psychological space. Ultimately, the piece expresses a quiet resilience, the act of holding onto a single, bright truth while everything around it feels hazy and uncertain.

No Quarter, a work by David Schlosser

Work 02

No Quarter

The blend of the mundane texture with a fleeting, ghostlike silhouette, intends to transform a routine, everyday moment into a surreal subjective landscape. It captures the isolating weight of routine, the feeling of moving through the world as an anonymous spectator, trapped within a fragmented, distorted memory.

The Patron, a work by David Schlosser

Work 03

The Patron

The patron evokes a sense of being completely consumed by the viewing experience. The creative intent suggests an erasure of the self in the presence of art, where the patron becomes a ghost within the gallery’s internal terrain, momentarily dissolving into the very frames they came to contemplate.

Chelsea Train Yard, a work by David Schlosser

Work 04

Chelsea Train Yard

Chelsea Train Yard is charged with a gritty, chaotic energy that explores the weight of urban routine and industrial uniformity. The rigid, repetitive lines of the train yard suggest a hyper-structured, mechanical reality, but this order is violently disrupted by the aggressive, bleeding textures layered over the scene. The creative intent evokes a sense of claustrophobia, friction, or internal noise, where the clinical monotony of the city's infrastructure collides with a raw, restless emotional undercurrent, transforming a sterile transit hub into a battlefield of the psyche.

Drama #3, a work by David Schlosser

Work 05

Drama #3

Drama #3 suggests a mind overwhelmed by sensory overload, consumerism, or instinctual anxieties, where the subject's identity is sliced open and compartmentalised. It evokes a restless, confined emotion, capturing the friction of a psyche trying to find clarity or spiritual escape while trapped inside a noisy, fractured material world.

Kids on the Boardwalk, a work by David Schlosser

Work 06

Kids on the Boardwalk

Kids on the boardwalk reflect a carefree summer night into a bittersweet, fading memory of youth. By fracturing the environment around the teenagers and the glowing neon sign, the piece transforms a vibrant, shared moment into a distorted internal terrain. It intends to capture the fleeting nature of adolescence, evoking a quiet melancholy as a seemingly permanent night dissolves into an unreachable, distant past.

The Hands That Held You, But Couldn’t Keep You, a work by David Schlosser

Work 07

The Hands That Held You, But Couldn’t Keep You

The mood carries an ache of profound grief, love, and surrender. It's intended to capture the agonising friction of a relationship that has slipped away, evoking a sense of vulnerability, regret, and ultimate forgiveness as the figures seem to simultaneously hold on and dissolve into the dark, chaotic light above them.

In his own words

How David got here

Inspired by the words of French painter Pierre Bonnard, “I do not belong to any school. I am only trying to do something personal,” my work focuses on capturing the fleeting moments and feelings that resonate with me. I aim to create pieces that feel honest and reflective of my own perspective. My art is about finding the beauty and solitude in the everyday, and sharing a sense of connection through the medium of fine art photography.

The path he took

He finished the Masterclass

David completed every workshop in the programme. It begins with Getting Started in Art Photography, which is where all of this starts.

Look at Getting Started

The others

Eighteen more artists

Every creative advisor came the same way, and each one has a page of their own with the work they make now.

See all the creative advisors

David’s creative journey began with just one course

Every artist on these pages started at the same place, unsure whether any of it would come to anything. Getting Started in Art Photography is where that begins.

Begin your journey in fine art photography